In 2019 Susanne made her debut with New York City Opera as Hannah in the World  Premiere of ​Dear Erich by Ted Rosenthal. She returned to the company in the role of Musetta in Puccini’s ​La Bohème. Later that year, she joined Teatro Grattacielo in NYC as Mimi in Leoncavallo’s ​La Bohème and​ La Principessa in Respighi’s ​La bella dormente nel bosco.

​

Susanne made her Carnegie Hall debut in 2017 with the New England Symphony singing the Pie Jesu from Fauré Requiem and Soprano solos in John Trotta’s The Seven Last Words of Christ and returned to Carnegie Hall to sing the Soprano solos in Jubilate Deo and Requiem for the Living by Dan Forrest. Earlier that year, she made her international debut as Anna in ​Le Villi and Lauretta in ​Gianni Schicchi with the Festival of the Aegean at the Megaron Mousikis in Athens and Syros Greece after joining Des Moines Metro Opera as Berta in The Barber of Seville and their production of Flight by Johnathan Dove. 

​

Ms. Burgess has also won a number of post-graduate awards and grants for operatic excellence  from the Denver Lyric Opera Guild, Metropolitan Opera National Council, Opera Theater  Pittsburgh,  Jensen Foundation, and the National Federation of Music Clubs.    

​

Susanne Burgess is a young operatic soprano with a sizeable and remarkably warm voice. She has been praised for her unique penchant for dramatic coloratura, and emotional expression on stage.

Born in Geneva, Switzerland and raised in five countries including Great Britain, Germany and the United States, Susanne developed an early ear for language and deep appreciation for world cultures. It wasn't until high school in Austin, Texas that Susanne discovered her passion for singing and a career in opera.
 

For the 2020-2021 season, Susanne will join The Atlanta Opera for their innovative "Reimagine Opera" series including I Pagliacci and Kaiser von Atlantis. In early 2020, Susanne performed the role of Violetta Valéry in ​La Traviata, starring in 8 performances as part of the Winter USA Tour with Teatro Lirico d’Europa. She then took on the demanding role of Cio-Cio San in Madama Butterfly at Opera New Hampshire. Susanne was scheduled to make her role debut as Gilda in a new production of Rigoletto at Opera North before the COVID19 pandemic sadly postponed these performances. Among efforts to preserve art and opera during the pandemic, she took part in the Summer Season at Opera Theater St. Louis presenting arias and ensembles in a virtual festival which culminated in a public master class with internationally renowned soprano, Patricia Racette. 

​